We've just released three new singles by composer James Brody.
Portal
Transport
Zazon
Transport (2005) really has an interesting history. The sonic
inspiration for the piece is the sound of the trucks and highways,
hence the name.
I was especially intrigued by the filtering properties of glass in the
hotels and motels as the trucks went by giving them the sound of angels
in the distance or something like that. Also, living about a mile away
from a major highway, I found the constant noise to have some very
interesting details. Also, concurrently with the composition of the
work, I attended the meeting of a composers organization in St. Paul,
Minnesota (the organization is now defunct) where works in progress
were played and comments were given. I took this as a wonderful
opportunity to submit 'Transport' to the group (whose comments when I
attended a meeting were very perceptive). I sent the work several times
to the organization and received feedback which I then applied to the
composition. (I figured that no one is too old to learn.) The truck and
highway theme was slowly integrated into a broader sound composition
using material from many sources.
Portal (2006): The door to my studio had some bells hanging on the
doorknob which made an interesting sound when the door opened and
closed. This sound is an integral component of the basic sound material
of the work. I expanded the category of doors to include things both
inside and outside of doors including squeaks of doors and
environmental sounds outside the back door of the house. Again, the
idea is to create a world of sound which is nonspecific to the material
used to create it. The sound world is meant to be appreciated on its
own without reference, again, to the original materials.
ZAZŌN (2007): The title of this work comes from a dream in which I was
on a train, and as it pulled into the station, I saw that the name of
the town was ZAZŌN. The content of the dream had to do with certain
memories of childhood and some of the material in the work is from
childhood: a whistle that my mother used to give when she wanted us to
come home; the sound of an attic door in a house where I grew up at a
certain point in my life (actually recorded just as we were moving out
of the house). Recordings of many sounds: everyday, household, musical,
natural, human voice, percussion, etc. are subjected to the many sound
metamorphosis tools available for both Mac and PC. These are structured
in a way to create a sonic environment which is unique, manifold,
subtle, changing and unusual.